
Christmas pics here.
Dave Cockrum died on Monday. This is particularly sad for me because as the title states, Cockrum taught me how to draw.
X-men was one of the first comics I really got into that wasn't of the 'kiddie' variety. It was also the first one that I knew all about, as in I knew the history of the characters and followed it the closest until it got too ridiculous, or I grew out of it. I don't remember which. Cockrum was my all time favorite X-Men artist, and his creation, Nightcrawler, was my all-time favorite X-Man character(followed closely by Longshot and Art Adams). Some time in the '80s, there was a four part mini series about Nightcrawler going to a parallel universes with Kitty's pet Dragon Lockheed. I read this series about a million times, and must have drawn and re-drawn every panel of every page. His art became the foundation for everything art related I have ever done since, no matter how hard Art School tried to beat it out of me.
He had a relatively short tenure with the X-Men, but his character and costume designs persist to this day. I followed his career pretty closely for a long time, and I remember that on the list for my hold slot at the Mile High Comics in Buckingham Square (slot 32. The lower the number, the cooler you were) I had written down "All Dave Cockrum".
He will be missed.
Finally!
Lookkit dem shelves!--->
We sold some of our old shelves in a garage sale over the summer, and gave the others to cousin Preston after we repainted the room, because the red stain didn't vibe with our new guacamole colored paint. So all our (read: my) stuff had been sitting on the floor ever since. We had been waiting for some extra cash to build new ones and never seemed to have a spare $200. That is until we found the brackets we wanted on sale for $2.50 each, and found some really cheap wood. The third and most important piece was Mr. Dopps. He came over on Sunday with a mad fat pile of tools, and helped me put them up. They look really awesome. Jen had an idea of what she wanted, that I turned into something much more elaborate and expensive in my head. When we got all the stuff together, the whole thing ended up being under $75. So that was even cooler. Jen smart.
Friday I spend a good deal of the night looking for cousin Ryan's dog Roscoe who ran off earlier that day. We looked and looked until about 10:00 when we got a call from his roomate stating that Roscoe had showed up on the back porch out of the blue, whining for some food and smelling like a rotten creek. Crisis solved, I went back home and crashed out watching Doctor Who on the Sci-fi channel. Saturday we cleaned the house, raked the leaves, washed and detailed the Xterra, put it up for sale on the corner, did laundry, and bought the lumber for the shelves. Oh, and played with the kid. A lot.
Monday and today were work days, and as work is kinda slow, I spent most of my time watching my new love(thanks again, Cody!): The Mighty Boosh. I love those guys. They have a talking Ape as a main character. They break into elaborate musical numbers at odd times. They had mod wolves. That's what sold me. I also will have a new NGV5 page up by tomorrow, if the stupid scanner at work is functional.
um... That's it.
So, if you were flipping channels, and came across Sean Connery with a giant mustache, wearing what can only be described as underoos with some pirate boots, running through the forest, you'd stop and watch for a bit, right? Well I did. two hours later as Zardoz was ending, I was unsure of what I had just seen. Something that was a mix of Barberella, The Prisoner, Planet Of The Apes, bad '70s soft-core porn, and Farenheight 451. Only really shitty.
Connery stars as Zed, who spends his days galloping around the post-apocolyptic Irish countryside happily raping and murdering "brutals" in the name of Zardoz, a giant floating stone head. All of said brutals are wearing suit jackets for some reason, while Zed has to settle for a loin cloth and a Janus mask, which the writer probably chose for no other reason than that is looks kinda creepy. So one day Zed gets laured into a disused library, and discovers the joys of reading, and by extention, the joys of free thought. He wants to get to the bottom of all this weirdness, so he stowes away in the head, and ends up in "The Vortex", a place where those who were once well-to-do who now call themselves "Eternals" live in a utopian society where they have been for a few hundred years because some crystal robot thing has made them immortal. They live in a perpetual rennaisance festival, blissfully unaware or apathetic to the troubles of their mortal bretheren on the other side of a sort of giant wal-mart bag. While on the giant head, Zed has inadvertantly killes Zardoz, who was really just some guy that got his name from The Wizard of Oz. Zardoz gives Zed and his buddies guns and ammo in return for the crops that the brutals are forced to cultivate. Zed gets trapped in the Vortex with all the hippies, and disrupts the ideallic society therein.
Didn't see that coming. I'm sure that this was supposed to be an allegorical commentary on the.... something. But it sooo does not work that way. Not with Connery in his undies through the whole thing.
Turns out that Zed was genetically engeneered by A few Eternals who are so bored they just want to die already, and need him to do it for some reason. The Eternals decide to impart Zed with all of their wisdom, one at a time, by fucking him. He becomes the new leader, and the societies combine to form a new race, and we see Connery in a full-on wedding dress. and the less said about that the better. Man the '70s were a weird time for science fiction. Until Star Wars in '77, we mainly got things like this and Logan's Run, which was great when I was a kid, but deeply flawed when I watch it now. That happened with The Dark Crystal and The Black Hole as well. Don't do it, kids. Let those movies remain cool in your head. Watch something you haven't seen before.
In other news, page 26 is up. Have a nice day.
"I would remind Senator (Hillary) Clinton and other Democrats critical of the
Bush administration's policies that the framework agreement her husband's
administration negotiated was a failure,"
"The truth is the Clinton administration knew full well they didn't have a
perfect agreement. But at least they were talking. At least we had inspectors
going in and we knew where the (nuclear fuel) rods were. This way, we don't know
where the rods are, the rods are gone. There are no inspectors. Ask any American
which way is better," Kerry said.
The Caine from the '60s is far superior to the one we have now, I think. Don't get me wrong, he's still awesome. But his string of tough-guy movies were some of the best. I kind of wish he'd revisit one of those characters like Terrence Stamp did in The Limey. Now that was a good film. I think that what I like about a lot of British tough-guy movies is how unpretentious they are. From Get Carter on up to Lock, Stock and Two Smoking Barrels, and even L4yer Cake. They just kind of do their thing. Most don't even have a love interest, or if they do, they aren't used as a MacGuffin or some other lame plot device. The best are the independents. Once studios start getting involved, you get James Bond. I love Bond, but there is far less style in those movies. I have high hopes and low expectations for the new Bond. I dig Daniel Craig, and I love that they are thinking outside the box and reinventing the franchise, but I am weary of the studio involvement. Looks like it was shot well.
Also, The new Thom Yorke album: I wouldn't say I am disappointed, because I saw it coming. I don't really like it though. Remember when the Pixies broke up, and then The Breeders started doing their thing, and Frank Black started doing his thing? I could tell who had done what in the Pixies, and could see how "creative differences" came into play after the band members parted ways. I thought Frank and The Breeders did some awesome stuff, but neither did anything close to what they did as the Pixies. Well, the same thing is happening here. Eraser is filled with everything I didn't like about the direction that Radiohead took after OK Computer. Again, a lot of what they did was bloody brilliant, but certain aspects of it I didn't jump on board for. Listening to this album it is easy to see that the rest of the band may have kept reeling him back and insisting there be actual drums and guitars in their songs. I think there are some good parts on the album, but the further Thom gets into the electronic stuff, the further away from OK Computer he gets. It seems like OK Computer is smack dab in the middle of this album, and Pablo Honey, right where it should be. I think that may be where I like them the best.
There are some movies you see as a child that stick with you for various reasons. Barbarella was one such film for me. For many males of my generation, the first time they really realized that there was something about the fairer sex worth looking into, came when they first saw Princess Leia in the slave girl outfit.* It was the same for millions of adolescent boys in 1983: They collectively tilted their heads to the side like a dog does when confused, and quietly uttered a single word: wow. It became the basis for many a fantasy from then on. As I grew older, I realized that we all had this in common, but we rarely spoke about it. It was always under the surface somewhere. What we didn't realize, and I didn't know until a few years ago, was that many a girl from our same generation had similar feelings for Han Solo. Maybe not as strong, and certainly not for as long, but it was there.
I was no exception, but I got a deeper dose of sci-Fe sexuality when my dad took me to see Barberella during a re-release at the local art-house sometime around 1985. Based an an extremely racy French comic book, Barberella was about... well it was really about Jane Fonda put into as many situations as possible where she could either get nekkid and have sex in a weird locale, or change her extremely skimpy psychedelic quasi-futuristic outfits.
I have to say that 1968 was a wonderful year for film. Some of my all time favorites were made or take place in 1968. Night of the Living Dead, The Itallian Job, 2001: A space Oddessy, Bonnie & Clyde, The Graduate, Rosemary's Baby, Bullit, Planet of the Apes, the list goes on and on...
Page two:
The Missus has gone to Dallas for the weekend, and I have the boy to myself all weekend. I think we are going to go to the dog-parade. He'll like that. We may check out Celebrate Stillwater, but I don't know. I don't know if we'll have the time. Cody is leaving town for the weekend as well, so we can't take Jackson to the coffeeshop pretending to be a gay couple with an adopted kid. I know it works better with an Asian baby, but you've got to work with what you got. Had Jackson came out as an Asian baby, his mother and I would have had to have words. So that's all I have planned, but that's enough. If you want to stop by and say hello, and maybe watch him for a sec while I pee, feel free to do so.
Page 23 is up.
*One notable exception, is a friend of Jen's who's first thoughts of the opposite sex came while watching Wonder Woman as a child. He was young enough that he didn't really know what he wanted to do with Wonder Woman, but he thought it would probably be nice to sit in her lap.
Page 21 is up.
A relaxing weekend. Not really by choice. We're kind of broke right now, and that forced us to be home bodies for the weekend. We went to the park, took a few walks, and watched the start of college football. A bunch of Jen's family came by before the OSU game, and we had a good time hanging out with them. Jen's step-mom who wasn't going to the game, offered to watch the boy so we could go get a bite to eat, which was nice. I downloaded a butt-load of music and stuff, including the new Decemberists album, which is awesome. I truly love bittorrent.
We finally rented V for Vendetta. I had been wanting to see it, as I was a big fan of the comic. It was really good. I hope that some people take to heart the message of not giving the government unlimited power. The original was a criticism of Thatcher, and pitted fascism vs. Anarchism, but the movie makers managed to update the story nicely. They made it a bit more about neo-conservatism vs. Liberalism, but since it is set in England, the parallels to the American political landscape are a little more hidden. Jen was put off a bit by the very comic-booky opening, where Evey is saved by V in a dark alley where she was attacked by thugs, but after the plot really started rolling, she got into it.
I hadn't read the book in a long time, yet I have some very strong memories about the time that I did. Here is the story: (kind of gross)
Back in the day, I had moved out of my parents house when I was about 15, due to some... um... "Domestic Issues". Mom was totally on board, by the way. It was best for everybody. That is a long story. For a while I lived with friends, so I could still get to school and what not, and most weekends I stayed with my brother, who had an apartment downtown, having moved out at a similarly early age from my Dad's house. This paticular weekend, I got a ride from my mom to my brother's house. I usually took the hour long bus ride that picked up at the aurora mall, so I was happy to get a ride. Since I was showing up early, I wasn't sure if he was going to be home. If not, I was to go by the Mayan two blocks away and get his keys, let myself in, and amuse myself until he got off work. The place he lived in was an old Victorian that had been converted 4 separate apartments, and Jeff lived on the top floor (what used to be the attic) with his buddy Lorne. There was one long staircase that went all the way to the top, and as I was going up, on the second landing, there was this big dude banging with all his might on the door to #3. He was very agitated and screaming something about how he left his jacket in there, but really he just wanted in. He wanted to kick some ass. I got past him with a "what's up?" and went up to see if Jeff was home. He wasn't, and the whole time I'm waiting there, the Guy is still screaming and banging on the door. I pushed past him again and hopped back in the car. Mom and I run to the Mayan, get the keys, and head back to the house. I told mom all about the weirdo in the car, and she was worried about me, so she wanted to come up with me. Good thing, too, because when we opened the main door, there was the guy. Sitting on the stairs. Holding his face in his hands like he was crying. He may have been, but we couldn't tell because of the massive amounts of blood all over his hands and on the carpet and on the walls. I said something like "dude, you okay?", to him and when he looked up, half his face was gone. Just not there anymore. Mom and I freak a little, then run upstairs. I tore the apartment apart looking for a first aid kit or anything that could help while mom called the cops. I go back down there with a roll of paper towels, to try to stop the bleeding. I remember seeing his eyebrow dangling in front of his eye and wanting to just stick it back where it was supposed to be. Pretty quick, the cops showed up, and I retreated back up to the apartment. We heard the guy telling his story, and saw him through the tiny front attic window carefully led to an ambulance and taken away.
Soon after, the cops tried to get into apartment #3. They knocked politely, the inhabitants turned up the stereo. They banged a little louder, and raised their voices slightly. They got a firm "Fuck you!" from inside. They bashed the fuck out of the door and stormed the place. There was a lot of commotion, a lot of yelling, and then through the tiny window, we saw the neighbor and his girl get violently tossed into separate police cars and taken away. Thinking the crisis was pretty much over, and having some place to be, mom left. She had to get a cop to move his car which is a chore in itself.
Then the real commotion started. Seeing something like this from beginning to end was a pretty surreal experience, and I didn't realize at the time that there is a lot of post incident work that goes on. Keep in mind that this would have been the early '90s, well before the rise of all the CSI type procedure shows that I never watched anyway. So the detectives, firemen, media, police photographers, and whoever else start stomping in and out of the building doing whatever it is that they do. I poke my head out, and tell one of the cops that I saw the whole thing and that it was me who called the cops. They had been looking for me, and lead me to a cop car, where I spent the next 45 minutes sitting in the front for once, giving a statement, and then writing that whole statement down on official looking carbon paper.
When I was done, they said I couldn't go back in, because they were busy in the hallway. Great. Now what? All my stuff was inside. I decide to go to the Mayan and see Jeff. I told him and the rest of the very interested staff the story, and decide to just hang out there till Jeff got off. He had a copy of V for Vendetta and a few other comics in his bag, and I sat in the upstairs cafe drinking coffee and read the book from cover to cover twice. When Jeff's shift was over, we went to Mary and Lou's (God how I miss thee) for a burger and then back to the house. We got up stairs, and decided to start drinking.
Now, one thing that CSI never shows is how all those people stampeding throughout the building never clean up after themselves. They leave that to you or to who-ever owns the building. So we get back and there is bits of paper, bits of medical supplies, bits of door to #3, and bits of the guy's face and circulatory system all over the place. They never even closed the door to #3, and there was so much blood every where, that the carpet made a little squishing sound where ever we stepped. It stayed that way for a while, like a few days, until somebody decided to call the landlord, who had no idea that anything had even happened. The carpet was eventually shampooed (badly) and the door jamb fixed, but rather that cleaned off the blood from the walls and door, they just painted over it. You could still see where the blood used to be when Jeff moved out a while later.
I never got called to testify or anything, and #3 was rented to somebody else pretty quick, actually, to our friend Eric if I remember correctly. In retrospect, I don't know why that wasn't a clue that everybody should move. Jeff and many of his friends stayed in that house or the one next to it for quite some time, and weird shit was always going down. Maybe the corner was cursed or something.
Probably not.